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I've been playing in this band for 2 years. That same amount
of time this record has been being worked on. The songs on our EP
are actually from these same "sessions", and we STILL
ended up with a 19 track/60 minute+ album. It was a learning experience, in recording an 11 piece band. We did everything from me tracking drums to a click, me tracking drums to a piano demo, me tracking drums last to the full orchestrations. You name it.
Simple
Eyes
Song
For A Girl
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EMANUEL
AND THE FEAR
The Perfect Me
Free Download Single
Label - Rcrdlbl.com
Released: December 14, 2009
We somehow managed to win 3 hours in a recording studio in Brooklyn,
while our entire album had been tracked at that point we tried to
figure out a way to utilize this gift from the heavens. Our trumpet
player/theramin guru Chris Coletti had worked up an arrangement
of the Deerhoof song "The Perfect Me" that we had played
out once or twice, so we decided to lay it down. It was quite eye
opening that we were able to get 11 people in the studio and track
a song from top to bottom in three hours. Made us almost realize
that we were dumb for doing the full length the way we had been
(don't ask). Free download. Free. Not a cent. Enjoy.
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PRIVATE
INCOME
The Front Room
CD
Label - Rae Rae Records
Released: December 11, 2009
I On U
Good
Buddies
I share a rehearsal space in Brooklyn with this band and played
with them for a bit- at the time they were called Zero Spanish -
just long enough to end up playing on this CD which was recorded
total guerilla style in our rehearsal space. I wasn't even sure
if we were going to use the recordings or not, and the drum tracks
were done pretty much in an afternoon. All of that isn't important,
what is important is that this is a strange little band, Fender
Rhodes out the wazoo, slightly off-kilter and a little dark. I don't
understand what the hell Kelly Rae is singing about, and the songs
are all the better for it. Kelly is a big Who fan, and as a result
expects a lot of drums, all the time. Sometimes I felt I was going
over the top with fills, she told me, "there is no top."
That's fine with me.
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Iron Fist
Killing Is My Business...And Business Is Good!
Two discs of completely stupid "Governator" inspired
metal. I play on the bulk of disc 2 which is a bunch of covers by
the likes of Agnostic Front, Judas Priest, Metallica, Megadeth and
Motorhead. From the same drum sessions as the ZAO Awake? session
and the ADM Christmas single I played on. There's still more that
didn't make this one... maybe they will see the light of day at
some point. Anybody that takes this seriously enough to bitch and
moan about it is the type of person you probably don't want to hang
out with anyway.
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EMANUEL AND
THE FEAR
Live At Joe's Pub
Free Net Download
Label - NYC Taper
Released: September 11, 2009
Dear Friend (Live)
Free Life (Live)
The kind folks over at NYC Taper came to our show and did a combination
"board recording" with some ambient micing. As always
with this kind of stuff, you're at the mercy of the signal being
sent from the board and what your mics pick up. With an 11 member
band, this can be a small to major disaster. It's okay, not the
best, not the worst. Gives you a good idea that we CAN pull it off
live, without giving the full impact away. It is what it is. Aside
from that, it's FREE... so I guess you get what you pay for. There's
a reason the full length has been in production for almost 2 years.
This stuff isn't easy to mix.
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ZAO
Awake?
CD
Label - Ferret Records
Released: May 5, 2009
1,000,000 Outsretched Arms Of Nothing
The Quiet Passenger Pt. 2
A slightly more subdued/melodic side of ZAO. Not nearly as abrasive as The Fear Is What Keeps Us Here, and that's fine with me. Variety is the spice of life, baby! Four different studios used in the production of this one
and lots of email file trading on our end. Gotta love technolgy. I ate SO much Mexican food during this session, when in Rome.... (or at least in San Diego.)
Limited-numbered pressing of 8000 with 6 interchangeable covers painted by brilliant artist Gabe Felice.
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We're All Alright Tonight
Comfortable Prison
11 piece mini-orchestra - 12 people if you count producer Jamin
who helped make this the weird/wonderful release that it is. I initially
had jumped on board to help them out with a one-off show, then I
got asked to play more. Next thing I know I'm retracking drums on
a bunch of songs that already had the orchestration recorded. This
stuff is great, I've ALWAYS wanted to be a part of something like
this.
We had planned on doing a full length album but as you can imagine, the mixing for a project like this is a little ridiculous. So in the meantime here is a 5 song EP that has intelligent string/horn arranging, harmonies, electronics, slide guitar, and some general weirdness (while still being catchy as hell).
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Jingle Bells
I flew out to California to record drums for a ZAO record with
Tim Lambesis (As I Lay Dying) and Daniel Castleman, we had booked
4 days in Big Fish Studios in Encinitas to do the drums and after
finishing in a day or two were left with some already paid for studio
time. Tim has this band, Austrian Death Machine, that is pretty
ridiculous. It's a metal band "fronted" by "Arnold
Schwarzenegger" with all of the songs relating back to Arnold
movies. He was tossing around the idea of doing a Christmas single
(to pay tribute to the Arnold "classic" Jingle All The
Way) so he made a scratch demo and I laid down some drums. We then
did a cover of Judas Priest's "Hell Bent For Leather."
We had so much fun we decided to keep going. When all was said and
done I think I put down drums for around 14 cover songs. So between
the Zao album and this I ended up laying down stuff for around 26
songs in 4 days. I don't mess around.
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OUT OF PRINT
A compilation of 15 "Halloween" or "Spooky"
themed somgs by 13 artists for this DIY label out of Chicago. I
didn't know what to title mine (going along with my runnng theme
of having a really hard time coming up with titles for things I
write) . I asked by wife what the most terrifying thing was she
could think of. Her answer was "eye violence". So there
we go. As you're listening to this imagine the scene in Omen II
when Joan Hart is having her eyes eaten out of her head by crows
and then proceeds to get hit by an 18-wheeler while stumbling around
blindly.
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CREATION
Hymns To Haunt The Gates Of Heaven
Net-Release
Label - None
Released: August, 2008
Led To Die
Phlegathon
I have a policy to NOT include things in the discography (regardless of whether i played on them) until they actually get released in a public format. Much like the below compilation, this is an "internet" release. I guess I gotta get with the times so here it is.
Some friends of mine from CT had some studio time booked, and no drummer, so I stepped in and learned these songs, rehearsed with them once and did the whole thing in an afternoon in NJ (Biohazard's studio to be exact). This is the reason I'm not in the From Autumn To Ashes "Pioneers" video. So I'm glad it finally got "released"
There's one thing I tend to say I "cant do" and that's more straight ahead, death metal drumming, Straight 16ths on the kicks for longer than about 8 bars and I'm usually out of commission. But here we are. It didn't hurt that they brought a 6 pack of this (banned in most states now) energy drink called Cocaine. One can is equal to 2 and a half red bulls, I drank 3. I seriously thought I was going to have a heartattack, but it got the job done.
The very next day I left for a 10 week tour. Whew.
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JON 7 AND ASSOCIATES
Mangle Me
Net-Release
Label - Timetheory
Released: August, 2008
Appearing on one track as a Remixer
From the label - "Mangle Me began as a little tune generated
from fractal MIDI, and was posted on a few forums to see who would
be interested in mangling it. The real intention was to meet new
folks and get to know them a little through their production styles.
A few people did turn up with their 'mangles', and the results were
collated into this release. Maybe there will be more mangles, maybe
not, but the project was fun, and served as a small meet-and-greet."
I am responsible for one remix.
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Various Artists
(TRISKAIDEKAPHOBIA) 13,000.00 MilliSeconds
CD
Label - Ratskin Records
Released: July 8, 2008
Appearing on one track as solo artist
A collection of around 215 artists from all over the map (both
location and genre-wise) each doing a thirteen second song. Released
by Ratskin Records out of San Francisco, CA. Head over to
www.ratskin.org to order a copy.
I contributed one titled A Principal Vertex. Also on the comp are
people like To Live And Shave In L.A., Matmos, Thrones, Venetian
Snares and about 200 or so others. Good times.
|

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Royal Crown Vs. Blue Duchess
Everything I Need
"Wow, did we really NOT want to do this record initially.
We wanted to do a benefit show for Looney Tunes Records in Long
Island as they had recently suffered a fire and anything you can
do to help an independent record store was good in our book. But
the thought of recording a "live album" in an atmosphere
that really isn't even suited to playing a SHOW was a big turn-off.
Needless to say, you couldn't move on stage, I had guitar amps right
in my ear, but still couldn't hear a damn thing. The audience was
lined back through the cd racks and couldn't really move or probably
see much. We had to stop after every couple of songs to allow the
guy recording it to reset the hard-drive. Not exactly "rock
and roll". When all was said and done we got the tracks and
examined them only to find one of the guitars lines had crapped
out. Because of this the recording was un-usable but part of the
deal with the show was people pre-ordered a CD which they were promised
at the performance. We were in Europe when we found all of this
out and almost ditched it. Thanks to Brian McTernan and his recording
expertise we were able to not only salvage it but to make it sound
damn good (for what it is).
While sitting at home with my broken foot I managed to put together
a song sequence and arrange the recordings in a way that made the
show flow a little better than it did in real life. Again, it turned
out better than it should have.
So, instead of being a limited edition CD only available in NY
it turned into a national release. One thing we COULDN'T save was
my vocal mic. But, who am I to nitpick... I never really wanted
to do any vocals with FATA anyway so... it's all fine by me."
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CONELRAD
Sluts & Slobs
7-inch
Label - Oh No Vertigo!
Released: Sept 30, 2006
Fear
And Abandonment
"In typical Conelrad fashion there was more than a year between
the tracking of these songs and the release. These songs were recorded
live in one day (with vocals being done as an overdub) and mixed
the next day. Literally the next week I got the call to join ZAO
and the label that was going to release the 7-inch backed out because
we wouldn't be touring in the near future. This is why the record
itself says it was released by "VERSION CITY" out of Brooklyn,
NY. Eventually our long time friend Ben Smartnick decided to put
it out. Somewhere along the line nobody thought to change the label
info on the sleeve or the record.
After getting together the next year to do a release show for
it Adam and I vowed to keep Conelrad alive and kicking in whatever
capacity we were able. The song "Mr. Right" is actually
penned not by Adam or I but by the wonderful Steve Moore of the
band Zombi, who has been a major player in mine and Adam's musical
development. Also included is a cover by the band NOMEANSNO.
The record is titled after the failed 1970's smut mag that featured
Ms. Annie Sprinkle in a "vomiting spread". It is often
referred to as the biggest failure of a magazine ever to be released.
This is kind of how Conelrad felt about our place in the music world.
"
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ZAO
The Fear Is What Keeps Us Here
CD/DVD
Label - Ferret Records
Release Date: June 13, 2006
Everything You Love Will Soon Fly Away
Pudgy Young Blondes With Lobotomy Eyes
"One of the most relaxed recording experiences I've ever been involved
in. We had 12 days booked at the studio and finished a day ahead
of time (not without taking two breaks to watch the Steelers in
the Playoffs).We tracked the record with Steve Albini at Electrical
Audio in Chicago and so everthing was done live to tape except for
some guitar overdubs here and there and the vocals. Basic tracking
was done in two and a half days. Over dubs and vocals took another
two days. The rest of the time was mixing.
The album was released in two different formats. The first was
the stand-alone disc. The other was a limited edition with expanded
cover art and a "Making Of" DVD. There is also the Japanese pressing
floating around with our cover of Black Flag's "Black Coffee"
on it, or so I've heard, I've never actually seen a copy. We did
2 tours on this record and then the band went on a touring freeze
prompting me to move to NYC and start anew."
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Various Artists
Black On Black Flag - A Tribute to Black Flag
CD
Label - Reignition Records
Release Date: March 13, 2006
Appearing on a track with ZAO
"This was like pulling teeth. We got asked to contribute a track to
the re-release of this long out of print Black Flag tribute. The only
problem was, I was the only real Black Flag fan in the band. So, I
chose Black Coffee because 1) It is from the largely (and unfairly)
overlooked later period and 2) because I drink a LOT of damn coffee.
We basically went in and tracked and mixed it in one day and shipped
it off to the label. Later down the road the Japanese label that released
The Fear Is What Keeps Us Here threw it on the end of that album as
a bonus track for the Japanese fans. Good ol' international relations! |
 |
ZAO
The Lesser Lights Of Heaven
DVD
Label - Ferret Records
Release Date: November 15, 2005
"Zao's manager Ryan J. Downey decided to help the band explain it's
chaotic existence by compiling live footage and putting together a
feature length documentary. When I joined the band they were in the
process of finishing it up and decided to film a show on my first
tour with the band. Something happened with the audio and they had
to used the overdriven sound from the cameras on stage. So basically
we have a pro-shot footage/bootleg audio version of a Zao show. Fortunatley
for the fans there is a treasure trove of other live footage (including
a whole other set from prior to my joining) and the TWO AND A HALF
HOUR documentary (which I make one or two brief appearances in). For
Zao die-hards." |
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Various Artists
Unicorn Mountain Volume 1
Book/CD
Label - Unicorn Mountian
Release Date: 2005
Appearing on a track with CONELRAD
"This is a perfect example of what I miss about Pittsburgh. There
is a definate sense of community in the music and art scenes and this
compilation/book is the perfect example of that. The general idea
was to get a bunch of bands to record a track (all recorded by the
same person, for free) in one of the local art galleries (which donated
it's space for the cause) and a bunch of artists and writers to make
a companion book. The thing is beautiful and I'm glad we got to be
a part of it. Much like most of Conelrad's compilation appearances,
this (entitled Taepodong II) is one of my favorite songs that we did.
It's about nuclear armageddon at the hands of North Korea (and in
case you are wondering... we're for it). |

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Various Artists
The Long Run Of Small Steps
Cassette
Label - Hardtravelin
Release Date: 2005
Appearing on a track with CONELRAD
"This is a limited edition (300 I believe) cassette only compilation
put out by Pittsburgh's Hardtravelin' record label. The cassettes
were red and came in a hand screened cardboard box with a mini-booklet
inside. Conelrad's contribution is a cover of "More Of The
Same" by legendary Pittsburgh punk band Half Life. We had initially
recorded it during the Bezoar session to be used on a Half Life
tribute 7 inch, but we missed a deadline and the track just sat
on the shelf collecting dust. So we gave it to the Hardtravelin'
guys. The weird vocal sound on the track was achieved by me coverng
my mouth with the crook of my arm and me yelling into it. I wanted
to sound like I was being smothered. This track also debuted the
use of the "Old Smokey". This is a tiny 9 volt battery powered amplifier
that looks like a pack of cigarettes (American Spirits to be exact).
From this point on, every time I was in Epigram 154 studios in Pittsburgh,
I found a place to use this amp on a recording (it's on some of
the Sluts and Slobs stuff and also on the Zao "Black Flag"
cover)."
|
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CONELRAD / STEVE
MOORE
The Torus Shock Trio Sessions
CD (Limited number of 50)
Label - Lost Tundra
OUT OF PRINT! But digital downloads
are available in the STORE.
Release Date: September 30, 2004
Steve's
Chronic Pica
Just Sitting On A Wall, Watching The World Go Bye
Shiny Chromoly Human Skeleton
Obeah Man vs. Dolemite
"A Final Dissolution took SO long to get finished that we just blew
off steam one night with Steve Moore. We took a case of beer to
the space, hung a couple of mics from the ceiling into the four
track and let about 40 minutes of "free-violence" take place. Everything
you hear is everything that happened that night, in the order that
it happened with nothing edited out. We did another one about a
month later (which hasn't been released yet) and a radio broadcast
which added an analog synth and a Danzig cover to the mix. All of
the CD covers were hand screened by Pittsburgh poster artist Mike
Budai and were assembled by yours truly and hand numbered."
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UPTOWN RHYTHM AND BRASS
From Under The Covers
CD
Label - Smitty's Music
Release Date: August, 2004
Make Me Smile
Knock On Wood
"One of my forays into the 'wedding/country club' music world.
I played with these cats for about two years or so, and one of the
main reasons I did it was because of their song choices (lots of
Blood Sweat and Tears, Chicago, Chase, etc -- basically all of that
old 70's jazz rock stuff). Also, 5-FUCKING-PIECE-HORN-SECTION. Nothing
like actually playing '25 or 6 to 4' with the actual horn section
doing it too. You don't get to do that everyday. But, it was fun.
We did a little session where we laid down some of our more "standard"
songs to get more private functions and gigs. Some of these CDS
are probably floating around Western PA and I'm pretty sure the
band is still playing. A lot of my friends gave me a hard time for
doing this at the time but the thing is... when I joined the band
about 2 weeks before the first gig I played (when their drummer
bailed) I already knew every song in the 3 hour set. I just grew
up around this kind of music and used to play it when I was learning.
Why am I explaining myself???"
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CONELRAD
A Final Dissolution
CD
Label - New Addition Media
Release Date: September 17, 2004
Thanatonic
Moulage
Third
Apostasy In As Many Weeks
"Never
have I been involved in a recording process that was so damaged. We
did the basic tracks fairly quickly (in about 2 days). Then our engineer
Jason Jouver asked me to fill in with his band (Creta Bourzia) on a
two and a half week southeastern US tour. When we got back we had issues
getting back into the studio to do vocals. Once that was finally done,
the studio shut down. It took a while and some sly moves but we eventually
got the tracks back off of the harddrive and mixed them in Jason's bedroom.
After all of that, it finally came out (one year to the day of when
we started recording it). Regardless, it's the perfect example of what
we were doing at the time. After this we tended to go a little bit more
raw with stuff... which I prefer for the band. But, this is us finding
our feet as a two piece." |
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CONELRAD
Bezoar
7-inch
Label - Hope and Hardtravelin'
Release Date - April 2, 2004
What We Do Is Worthless
"The first official Conelrad release but actually recorded AFTER the
"A Final Dissolution" sessions. We wanted something to come
out in the interim of waiting for the full length to be done so we did
two "simple" songs, an instrumental and Paranoid Chant (which is a Minutemen
cover) in about 3 days and had our friends Joey and Q at Hope and Hardtravelin'
press up some copies and get them out there. This ended up being my
favorite stuff that we did and the three originals usually got played
at every show we did from that point on. The title is a term used for
a congeled mass of hair and food that forms in the stomachs of cattle.
Some cultures believe it has medicinal purposes. You could ask me until
the cows come home what that has to do with the record or the cover
art, and I wouldn't be able to tell you." |

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Various Artists
Advvanced Calculus: Live on 88.3 WRCT
CD
Label - These Bricks Are Mine
Release Date: 2004
Appearing on a track with CONELRAD
"Another great example of not only the size and variety of the
Pittsburgh music scene at the time but also of the forward thinking
of the station to have the bands play and not only broadcast it
in prime time listening hours, but also to do a damn good job recording
it. Conelrad did probably 2 or 3 of these broadcasts and always
had a good time."
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Various Artists
The West Coast Of The East Coast: A Project to Benefit the Multi-Tool
CD/Zine
Label - Hope and Hardtravelin' Records
Release Date: 2004
Appearing on a track with CONELRAD
"This was a compilation that was put out as a benefit for the
Multi-Tool project which was a bike workshop in Pittsburgh. The
idea was that people would donate bikes and bike parts, and then
you could go down and use their tools/parts to fix up your bike,
or you could build a bike a donate it to the project, which they
would then sell at a super cheap price that all proceeds went back
into the project. My favorite Conelrad song hands down. The best
conelrad songs always ended up on comps and on the 7 inches that
nobody buys. Oh well." |

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Various Artists
Pure Trash
CD/Zine
Label - Pure Trash
Release Date: 2003
Appearing on a track with THE OPD
"This was a zine put out by some people in Pittsburgh that the
opd was friends with. All copies of the zine came with a cd enclosed.
This particular track (like most of the opd recordings) was actually
a recorded rehersal that was later overdubbed on top of. Chad Stanko
is the master of 4-track recording.
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BEN HACKETT
Ben Hackett (ep)
Label - none
Release Date: 2003
Appears on one track as guest drummer
Faded
"For a little bit the owner of this studio (Dave's World Studio's
in Ambridge, PA) was calling me up to do drums on various recording
sessios. This is one that got released. Sort of a singer/songwriter/ToriAmos
kind of vibe. This hands down was the hardest gig I've ever had.
They did the piano and vocals first (with no click track) and THEN
decided to add drums. Needless to say, there was all sorts of weird
stuff going on, extra beats on measures, tempo shifts. I tried my
best to make sense of it. In the end, one track that I played on
got used."
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ZOMBI
Twilight Sentinel
CD
Label - Nightmare City
Released: 2003
Appearing on a track as guest percussionist
"I helped out with percussion on the hidden bonus track on this
self-released Zombi EP. The CD itself is out of print but was later
reissued along with their first EP as The Zombi Anthology a few
years later."
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Various Artists
Circuts of Steel
CD
Label - SSS Records
Release Date: 2003
Appearing as "source material" on a track by TORUS
"This CD was a 2 disc compilation of various Pittsburgh electronic
artists. As far as I know, Adam (Conelrad) MacGregor took some drum
audio of me playing in the Conelrad rehersal space and used it as
the source material for this piece. I had no idea until about a
year later. But yeah, technically, I'm the basis for this piece."
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THE OPD
The Opd Guide To Dating At Work
CD
Label: Slickville Records
Release Date: 2002
You're Mine!
A 3 song EP that showcases the 4-piece line-up of the band that
was playing out at the time. Recorded in rehersals (much like most
of the opd recordings of that time frame) on a 4-track and later
overdubbed with vocals and guitar overdubs. Long out of print.
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IUP WIND ENSEMBLE/JACK STAMP
Internal Combustion
CD
Label: Klavier
Release Date: 2001
Another CD I didn't know existed until recently. Every year the
Wind Ensemble where I went to college would record a batch of pieces
and we would get copies of them, but I guess they compiled some
of the best into this disc. I'm on 5 of these pieces and I couldn't
even begin to tell you WHAT intstruments I played on them. This
era is shrouded in mystery and Mad Dog 20/20.
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THE OPD
Repressed Memories - The First Ten Years of The OPD
CD
Label: Slickville Records
Release Date: 2001
Appearing on 3 songs
Look My Way
A collection of various recordings (both released and un-released)
by Chad Stanko's "the opd" project. Two of the songs I
appear on were new recordings made for the release. The third song
dates from a session I did with Chad from the early 90's.
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BROOKSFOUNDJAKE
Waiting For San Diego
CD
Release Date: 2001
Appearing on Drums/Percussion on a track. Also on Glockenspiel on
several others.
Year 23
"After I got out of college I was so burnt out on music that I
went through a bit of a dry spell. Thanks to these guys for giving
me the call to play on a couple gigs with them and on this session.
The sessions were kind of funny since they were recording stealth
mode at a studio after hours (I remember leaving an orchestral gig
in Johnstown, PA and driving to Indiana, PA at 2 in the morning
and doing the drums for one of the songs as the sun came up). The
glockenspiel parts were recorded in a rehersal room in the basement
of the music building at Indiana University of PA. None of us were
students at the time, so it was a guerrilla mission to take over
the room, get the glockenspiel out of the percussion room, get all
of the recording gear in a 8 x 8 room, and lay it down before someone
kicked us out."
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THE O-ZONE PERCUSSION GROUP
Whiplash
CD
Label: Klavier
Release Date: 2001
Appears on one track on Vibraphone/Marimba
Concerto For Percussion and Wind Ensemble (1)
Concerto For Percussion and Wind Ensemble (2)
"Wow. I had no idea this existed until the other day (almost 7
years after the fact). This is a "re-issue" of a CD by
the O-Zone percussion group -- which was the name of the percussion
ensemble at the college I went to-- that was led by Gary Olmstead.
This particular re-issue contains a track that I perform on Bruce
Yurko's Concerto for Percussion and Wind Ensemble that Mr. Yurko
basically wrote for our percussion section. I can be heard leading
the charge in the "demented clock" section of the piece.
I'm actualy playing a really rare 4 octave Vibraphone on the piece.
So rare in fact that the Boston Pops used to rent it from our school."
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CATCHPENNY
Dajom
CD
Label - Next Records
Release Date: 1999
Getaway
Wishingshe
"Catchpenny used to play with Crank Radio all the time. I always
liked the fact that they played really dark weird kind of stuff
in the vein of early Shudder To Think. When their drummer was kicked
out and they had a bunch of gigs coming up they asked me to step
in. History has now proven this is the ongoing trend in my career:
Crash course in the bands material with a gig a week off and end
up staying in the band. I like the 2nd half of the cd where things
are a little weirder and darker. A review in Heartattack I think
at the time said that the first half of the record sounded like
the Friends theme. I can't argue with that. This record is also
important because it hooked me back up with childhood friend Rick
McNerny who later went on to record almost all of the Conelrad material
in addition to some OPD stuff and Zao material. I still have a few
of these lying around if anyone wants them. "
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CRANK RADIO
IKYS
Cassette
Label - Bobo Has A Friend
Release Date: 1997
"Third Crank Radio cassette, third bass player. We were like The
Melvins of our city. This release is pretty rare and as a result
we had no problem recycling riffs later down the road for Conelrad."
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VARIOUS ARTISTS
Instability Is Inherent (60 Minutes Of Noise)
Cassette
Label - None
Release Date: 1996
"A compilation of 60 noise artists from around the world doing
a one minute song. I used the name Christus Apollo. I couldn't tell
you who put this out, why I did the track or how I found out about
it, but there it is."
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VARIOUS ARTISTS
Stairs To The Closet
CD
Label - AFM Records, INC.
Release Date: 1996
Appears on one track with Crank Radio
"It is usually my policy to never shit talk people I have worked
with in any kind of professional music situation, but these guys
take the cake. We get asked to participate in a compilation that
is going to showcase this studio/record label in Pittsburgh. Great.
Hey, we'll even give them an exclusive song! So we go down there,
lay down the track everything sounds good. Here's the discussion
that follows:
Us: "So when can we come down to mix it"
Them: "We don't allow the bands to sit in on the mixing"
Us: "Really? That kind of stinks.
Them: "Don't worry, we'll let you approve anything we do, and then
we'll give you the multi-track master for a small price"
Us: "Okay, We can live with that"
FOUR MONTHS LATER
Them: "Your mix is done, it's been sent to the press"
Us: "Can we hear it?"
Them: "You can hear it when the CD comes out"
Us: "Fine. Can we have our tape?"
Them "We erased it"
These guys were crooks. On top of the fact that they did all sorts
of ridiculous "tricks" like adding terrible digital harmonies
to vocals and drenching the whole thing in ridicolous reverb. I
tried talking 2 different bands I was friends with out of going
to this studio and both had bad times. The 2nd band actually had
the label/studio shut down and run off to LA with their money and
master tapes. Lessons learned."
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CRANK RADIO
Country
Cassette
Label - Bobo Has A Friend
Release Date: 1995
"For some reason everyone in the Greensburg, PA music scene grabbed
onto this thing. We pretty much sold a copy to everyone around at
the time. How do I know this? We sold 300 copies in the town and
there were probably only that many people coming to shows. Years
later when I joined Zao, our bass player, Marty, would play the
the songs all the time at soundcheck. It was weird, I didn't get
it at the time and I didn't get it then. Much like most things I'm
involved with I just thought it was terrible when we were done.
And yes, I still think that."
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CRANK RADIO
Atonal, Asymmetrical...We Must Burn!
Cassette
Label - Bobo Has A Friend
Release Date: 1994
"Recorded on a rented cassette 6-Track and probably the ONLY time
I'll record with triggers on the drums. This was only done because
we didn't have the channels available to "mix" the drums.
Cover art is by my brother Adam. He was really upset that it wasn't
included in the discography... so here you go buddy."
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NAPOLOEN IN RAGS
Toast
Cassette
Label - Trajic Walrus
Release Date: 1992
"The second NIR release. This one has it all: Tribal drums, flutes,
female vocals, acoustic numbers, trippy soundscapes and a more reasonable
song structure. Notable for being one of the first recordings with
myself and Adam MacGregor (who would turn into a long time musical
foil) Also appearing on flute is future author Kelly Braffett. Weird."
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